Sebastian Heiner is an individualist, which is a rare occurrence in the contemporary art market. With great severity, Heiner commits to an authentic thoroughbred painting. Though the artist works in phases, once in abstract gestures, another time depictive, his individuality remains apparent.
DetailsHere is truly no idyll; the Oriental and the World Financial Tower, the old and the new landmarks of Shanghai, show themselves dim and dismal in the haze. The eye loses itself in the confusion of buildings and highways. The horizon is not visible.
DetailsHere is truly no idyll; the Oriental and the World Financial Tower, the old and the new landmarks of Shanghai, show themselves dim and dismal in the haze. The eye loses itself in the confusion of buildings and highways. The horizon is not visible.
Details“My thought always brings me further and further… I must drive it back, or I will be detainded in Beijing for too long time”, Sebastian Heiner writes in a Christmas card far from Berlin. Its Beijing, the vigorous, adventurous and strange metropolis with a population of more than ten millions that keeps lingering in his mind.
Details2004年春天， 德国艺术家Sebastian Heiner在柏林Mitte区的家， 方桌上摆着友人送的关于中国的书，《巴尔扎克与小裁缝》，《龙的故乡》等等。这些书的封面或是龙的图案或是有着大辫子细眼睛的女孩子，带着这些印象，Sebastian开始了他的中国之旅。
DetailsBerlin is a city that has gone through devastation and continual reconstruction. District Mitte, which was originally situated in Eastern Berlin, has gradually turned into a growing art communitiy of the city.
DetailsThe history of painting is often no less suspensful than an exciting historical novel. From the very beginning with prehistoric cave paintings to the strictly iconographic rules of the middle ages, from the blossoming of modernity and on to the battles waged among historicism, naturalism and impressionism in the ninetheenth centrury – all this ultimately leads in the twentieth century to the unleashing of pure paint.
Details“But Paradise is barred, and the cherup is is behind us; we must undertaken a journey around the world to see if somewhere, perhaps on the far side, it is still open.” – Heinrich von Kleist On the Puppet-Theatre Wurzelmann 1996
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